KW Institute for Contemporary Art and the Schering Stiftung present “Don’t Shrink me to the Size of a Bullet” by artist Hiwa K, winner of the Schering Stiftung Art Award 2016.

“Films in Sheep’s Clothing” is the first solo show of John Smith in Italy exhibited by ALMA ZEVI Gallery in Venice, showing the work made between 1976 and 2015.

(Español) El desorden de la información, sumado a viajes a Medio Oriente y Norte América en las dos semanas anteriores me anticipó a un estado de disociación.

Morgan is an undisputed authority on conceptual art. PROYECTOSMONCLOVA with the exhibition “Robert C. Morgan: Concept and Painting” highlights Morgan’s vibrant artistic achievements through a survey of his dedicated studio output.

Located in the República neighborhood, Sagrada Mercancía is inserted as a place where research and hallucination are mixed to investigate the processes rather than a result.

In their latest solo exhibition “Doble Fondo (False Bottom)”, the Mexican artist group Tercerunquinto takes on their research into public space and its visual languages. Again the idea of the public wall space serves as the starting point.

(Español) El artista mexicano propone un juego de logos y reglas de mercado contrapuestas, como dos formas de entender un mundo capitalista que colapsa y se expande continuamente.

The particular work and visibility of Dr. Lakra come from the tattoo tradition, and has mixed it with the collection of different objects that are born of mythical narratives that coexist with a globalized imaginary.

“History is Taking Flight and Passes Forever” starts from a story, from a moment. Sculptures, objects, installations invoke to look at the same problems that persist from that history, taken and resignified by Edgar Orlaineta.

In 1992 the Chilean artist Juan Castillo and the Uruguayan poet Roberto Mascaró decided to pay homage to the poet and visual artist Juan Luis Martínez; which would become an unique and particular editorial project. “Sedas de Ca(v)allo” was the magazine that mobilized poets, writers and artists, where each one of them was invited to […]

(Español) En la última muestra de la artista chilena y radicada en New York, Francisca Benítez evoca una relación con la Poesía Concreta por la cercanía formal entre significado y significante que sucede con algunas señas icónicas, donde se da una selección de momentos y una percepción fragmentada.

The work of the multimedia artist Nicolas Rupcich comes from the crossing of nature, science fiction and reproduction of the image. In these possible lines, it is where the search for an immanent truth of the state of the mind of the things, he does not find answers, but processes that respond to the new mechanisms of reproducibility.

The globalization, capitalism and consumer culture have been some of the pillars that have shaped the reflections behind my work. I am interested in analyzing the systems and ways of life in which we live or rather those that we must adapt.

Stockholm. She slowly comes into view, walking down the stairs with impeccably slicked-back, black hair, wearing a red velvet dress. She excuses herself preemptively, saying she has a cocktail party/meeting afterwards. Whether it is by expansion or by projection, something about Carla Garlaschi has been changing. Her participation in the SIART IX Biennial of Contemporary […]

It’s like hitting your head on the doorframe as you enter the house. That’s the feeling this curatorial concept leaves you with, at least in this context. Suggested and evolved by Christian Jankowski (Göttingen, Germany, 1968) for the eleventh edition of the Manifesta, the European Biennial of Contemporary Art. “What People Do for Money”, is […]

Today, Proyectos Monclova is one of the most important galleries in Mexico and Latin America, where they’ve played, gambled and even changed their skin, so to speak. Their vision is clear: taking established proposals and mix them with new generations, placing artists into both a local and global dialogue. Proyectos Monclova brings together Mexican and international artists […]

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“You can’t make a revolution with silk gloves” is the latest exhibition of Wilfredo Prieto, currently on display at kurimanzutto. About this project, baroque minimalism, the focus of ideas and more, is that the chilean artist Prem Sarjo talked with the cuban artist.

Kurimanzutto has since its beginning differentiated itself through its curatorial direction, both within the white cube and its projects in the public space, thus creating different instances of communication between people, art and certain messages. How was the “Sonora 128″ project conceived and from where comes its inspiration? In my opinion, kurimanzutto´s growth and progress […]