After joining the 1st of May manifestation at Kungsträgården, I went out to take a walk at the sunny side of the city. The park’s cafe was full of people that got the same goddamned idea as me and swarmed like pigeons while the Sven-Harrys Museum pointed Carl Fredrik Reutersward’s knotted cannon gun at us. […]

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Become immersed into the rush of the days not even being aware of it. Have the notion of an escape desire through intersected ducts. Want to go faster than time when it isn’t even finished (started) to conciliate it with the bodies and the world. The obsession to find this time in permanent escape has […]

The curator disappears behind the artwork As a curator of the foundation Siemens Stiftung I started to travel to Latin America every two months. The foundation is a non-profit organization founded in 2008 with the idea to foster sustainable social development which crucially depends on access to basic services, education and culture. It was a […]

We had secretly left on a bike. I’d baked honey biscuits covered in lemon glaze, quite a Nordic flavor to have in the middle of the Atacama Desert. I put on some hot pants that day, and a light blue shirt I borrowed from Andrea. During those days I had let my hair grow long […]

EJERCICIOS MOSQUETO Hidden in a small apartment in the street baring the same name, Prem Sarjo, Manuel Peralta and Walter Bee’s project is conceived as an island for investigation and reflexion in the middle of the art market turbulent ocean, and by the same reason it can be considered one of the leaders of alternative […]

Maybe it is that our exquisite vulnerability wants to stay always in disguise; not wanting to acknowledge the feelings or ideas that make our blood run. Being always ready to hide under a much studied rationality. In one of his last works, Javier Gonzalez Pesce divests from the desire of disguising vulnerability towards love, and […]

Once you enter Nicolas Franco’s “Land Without Bread”, it becomes hard to think objectively. Not because the exhibition is held at CCE (Spain Cultural Centre), which presents by itself a modernist architectural allure; not because the show is treated in a very clean, almost cold way in terms of aesthetic, easing the path through it. […]

One of the last art pieces chosen for Rotunda Magazine, were writing and others are the ones who conform it. Re-written texts that leave trace of each one of the participants, including hers.

The hilarious postmodern success that glorifies the egos seems to be posible to achieve. Trace a plan, each on its on way. How to be Someone, is the essay that the artist Carla Garlaschi chose for Rotunda Magazine